Cosmovitral จากซากปรักหักพังที่กลายเป็นสวนศิลป์

Stained glass is invariably associated with place of worship.  Yet the lucky residents of the Mexican city of Toluca have a wonderful botanical garden replete with a host of incredibly stained glass windows.  As well as being a superb display of plants and art together, it is a tour de force in what to do with a building once it outlives its original purpose.

Although the building looks as if it could have been built as a railway station it was in fact a market for over sixty years.  As Toluca’s first permanent market it was of massive importance to the city.  Yet as the city flourished and grew the marketplace became too small.  By the time of its closure in 1975 it was surrounded by satellite markets (of the flea variety) and often the roads around it were so congested they became impassable.

The city took the decision to close the market down and to relocate it.  Yet what was to be done with the wonderful art deco building with its metal and glass roof?  Some wanted the building demolished and replaced with a piazza while others wanted it to be sold in to private hands for conversion in to office buildings.  One man, however, had different ideas.  Step forward Leopoldo Flores – a local artist with a plan.

Flores envisioned something magnificent for the space.  He saw a huge stained glass mural encircling the entire building and running across the ceiling.  Below and within its confines he proposed a botanical garden.  The art would show the relationship between man and the universe, the flora that which places man in his ecological environment.  The name for the project which has also become the name of the building would be Cosmovitral.  An amalgamation of the Spanish words for cosmos and glass, the project would take four years from development to completion.

Most would agree it was time well spent. While Flores developed the project the building was cleaned from top to bottom, removing the best part of a century’s grime.  Then the walls were reinforced so that they could hold the weight of the stained glass windows.  The building had to be significantly strengthened as the new additions would include 75 tons of metal support, 45 tons of blown glass and 25 tons of lead.  Add to that the half a million pieces of glass used in the project and that is some weight to support to say the very least.


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